Tag Archives: Played Utah
The Cotton Jones Basket Ride
The music of Cotton Jones speaks of transition: the passage from one form, state of mind, style or place to another. Songs become doorways to the past or windows that open on some unnamed future, where innocence can still exist and perfection is thrown to the wind.
The Glowstream is a place centered between North and South Cumberland. It’s not really called the Glowstream – just a stream that rolls to a dead end by the train tracks downtown. A place to sit, undisturbed in the cool shade, and see the interstate bend around glowing steeples, as cars and trucks break their speed – it’s beautiful – how the city materializes, an oasis, after driving many miles through the mountains along I-68 – to this spot, where it’s possible to witness all the paces change.
“Tall Hours in the Glowstream,'” is the title of their new album. Some of the songs that made the final cut were tracked in northern States, while the majority were recorded and mixed in Winterville, Georgia, as a revolving cast of players, thinkers, and singers were invited to hang in the band’s living-room studio. The resulting sounds are both rich and charmingly lo-fi, full of vivid imagery and more gorgeous vocal harmony. Hard-asking tracks like “Somehow To Keep It Going” and “More Songs For Margaret” prove the promise in this music, the feeling of something better to come if only you can hold tight a little longer…”Always the mornings keep coming…” And what a beautiful thing that is…
- Cotton Jones Music Videos Have a look and a listen
- Cotton Jones MySpace Page Free Streaming MP3’s
- The Cotton Jones Basket Ride FaceBook
- The Cotton Jones Band Website
Eric McFadden Trio (EMT) Videos
Depeche Mode Videos
Brad Paisley
With the release of his eighth album, American Saturday Night, Brad proves once again that he remains a master of his craft – or, more accurately, his crafts. To date, the album has launched three #1 singles with “Then,” “Welcome to the Future,” and the title track, which became the 16th #1 of his career – and his 12th consecutive chart-topper – making him second only to the great Sonny James as the solo country artist with the most consecutive #1 singles in chart history. “Then” became the fastest rising single of his career, spending three weeks at #1 and becoming a couples favorite, with fans adopting the ballad of love growing better over time as an “our song” unlike anything Brad has ever recorded. Indeed, his singing has never been more nuanced than in “Then,” or in “No,” an observation of life and prayer penned with “Whiskey Lullaby” writers Jon Randall and Country Music Hall-of-Famer Bill Anderson.As much as Brad is the guy next door, a funny, fishing, easygoing sort, his prodigious talent, likeable personality, and strong work ethic have conspired to make him one of the genre’s brightest lights. He is known for bridging the gap between young audiences and country’s roots, uniting generations with the sheer joyful exuberance of his music, stage presence, and videos. With American Saturday Night, he offers what he says is “a record about our times. This is a record about my life and the times I’m living in and the times that my children are living in, and the love and loss and heartbreak and triumphs and everything in between.”
USA SPOTLIGHT REVIEW
…Paisley’s true strength is his ability to marvel at everyday things — pop culture (American Saturday Night), technology (Welcome to the Future), fatherhood (Anything Like Me) or the many uses of water (Water) — and to make others share his fascination. Throw in a handful of extraordinary guitar licks, and there’s a lot worth marveling over.
— Brian Mansfield
…Paisley’s true strength is his ability to marvel at everyday things — pop culture (American Saturday Night), technology (Welcome to the Future), fatherhood (Anything Like Me) or the many uses of water (Water) — and to make others share his fascination. Throw in a handful of extraordinary guitar licks, and there’s a lot worth marveling over.
— Brian Mansfield
WASHINGTON POST Review
Paisley is no one-hat wonder. As versatile an artist as Nashville has produced in years, the honey-drawling singer is equally adept at humorous, twangy rave-ups (“Catch All the Fish”) and honky-tonk putdowns (“The Pants”) as he is with sentimental storytelling (“No,” “Anything Like Me”). But nowhere does he sound better — or sadder — than on classic country weepers. “Oh Yeah, You’re Gone” could be about a lover who has simply left, or one who passed away
– Joe Heim
Paisley is no one-hat wonder. As versatile an artist as Nashville has produced in years, the honey-drawling singer is equally adept at humorous, twangy rave-ups (“Catch All the Fish”) and honky-tonk putdowns (“The Pants”) as he is with sentimental storytelling (“No,” “Anything Like Me”). But nowhere does he sound better — or sadder — than on classic country weepers. “Oh Yeah, You’re Gone” could be about a lover who has simply left, or one who passed away
– Joe Heim
- Brad Paisley Official Website
- Brad Paisley MySpace Page Free Streaming Mp3’s
- Brad Paisley FaceBook
Depeche Mode
Depeche Mode (pronounced /dɛˈpɛʃ/, de-PESH) are an English electronic music band which formed in 1980, in Basildon, Essex. 
The group’s original line-up consisted of Dave Gahan (lead vocals), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andrew Fletcher (keyboards) and Vince Clarke (keyboards, chief songwriter 1980–81). Vince Clarke left the band after the release of their 1981 debut album, Speak & Spell, and was replaced by Alan Wilder (keyboards, drums) with Gore taking over songwriting. Wilder left the band in 1995 and since then Gahan, Gore, and Fletcher have continued as a trio.
Depeche Mode have had forty-eight songs in the UK Singles Chart and #1 albums in UK, US and throughout Europe. According to EMI, Depeche Mode have sold over 100 million albums and singles worldwide,[1] making them the most successful electronic band in music history. Q magazine call Depeche Mode “The most popular electronic band the world has ever known”.
*All text is available under the terms of the GNU Free Documentation License – Wikipedia