Tag Archives: Cultural

Snowbird’s Annual Oktoberfest

Octoberfest

Oktoberfest Halle located in the Snowbird Event tent is chock full of music, dancing and traditional German cuisine. Enjoy a bratwurst and sauerkraut and apfelstrudel and more.
Kids young and old can enjoy face painting, caricature artist, inflatable rides, the world champion YO-YO MAN, a zany clown, music, balloons and more!

Der Marktplatz
Vendors from around the region peddle their wares.You will find many unique gifts. Shop early for the Holidays. Located at the entrance.

August–October Annually

Oktoberfest at Snowbird
Highway 210, Little Cottonwood Canyon
Snowbird, UT 84092 (801) 933-2147

Tribal Rhythms: Drumming Lessons

Explore the basics of drumming. Traditional African rhythms and djembe techniques will be taught. We will have a facilitated drum circle, so you can get playing and have fun!

High-quality African drums (djembes) and instruments will be supplied for class use. Or you may bring your own to play.

Instructor: Déjà Mitchell

Mondays 4-5 pm

Eccles Community Art Center
2580 Jefferson Avenue Ogden, UT 84401
801-392-6935

Bountiful Davis Summerfest International

Folk Dancers

BDSI is a program of the Bountiful Davis Art Center and was started as an art festival in 1974. The distinctive program of international performances was added in 1988. The roots of the festival are grounded in the arts and it remains a showcase for artists. The international and cultural performances were included to give local residents a unique entertainment and educational experience that stands out as an exciting addition to the community and is unequaled by any other art and cultural program in the state.

  • Craft Booths
  • Fine Art
  • Food Vendors

August (1st Week) Annually

BDAC Summerfest
Bountiful Davis Art Center
90 N Main St, Bountiful, UT 84010
(801) 295-3618

Martial Arts Festival

Capoeira, Martial Arts, Afro-Brazilian, Salt Lake City, Winter Batizado, Utah

Capoeira is a unique and vibrant Afro-Brazilian martial art that cultivates movement, culture, music, and philosophy. Capoeira is an Afro-Brazilian martial art that includes elements of physical and mental strength, beauty, and power. M. Jamaika often refers to capoeira as a “complete martial art” in that it encompasses a vast spectrum of movement and culture; it incorporates kicks, ground movements, self-defense, acrobatics, music, and tradition.

It is played in a circle, or roda, with two members engaging in various attacks and defenses while maintaining a melodic fluidity. These movements are driven by the rhythms emanating from the roda’s instruments and vocal song. Capoeira was created by African slaves in Brazil over 500 years ago, and through Mestre Bimba and others, has since become a recognized art form. Capoeira can be done by anyone of any age or size and its benefits are evident in all who take it on. It is a beautiful expression, which is best understood through active experience.

Mondays, Wednesdays 5-7:30 pm

Trolly Square Performances
602 E 500 S, Salt Lake City, UT 84102

Salt Lake Capoeira Studio
West, 663 100 S, Salt Lake City, UT 84104
801-633-4006

Utah Cultural Celebration Center

Utah Cultural Celebration Center - West Valley City, Utah, Art Gallery, Live Music Venue, Performing Art Center, Concerts

The Utah Cultural Celebration Center is dedicated to enriching and strengthening communities by promoting the expression of the arts, education, opportunities for economic development and the celebration of human diversity.

The center is committed to:

  • The preservation and perpetuation of cultural traditions
  • Creating a setting for cultural exchange and experience
  • Promoting the visual and performing arts as well as the humanities
  • Encouraging education through creative thinking and experiential learning
  • Enhancing opportunities for economic development
  • Providing a social infrastructure for networking within the community
  • Establishing a ‘home’ for diverse artistic achievement.

The Center is designed to strengthen a sense of unity among the people of the Wasatch Front by highlighting cultural wealth and creativity and offering a forum to celebrate our residents’ talents in music, dance, performance and visual arts. We work to provide a place where family and friends can come together, and where cultural arts are nurtured, promoted, and celebrated.

Utah Center for Arts

The Utah Center for Arts  hosts art exhibits from renowned and  emerging artists with over 9000 sq ft. of exhibition space. The UAA (Utah Arts Alliance) also hosts poetry readings, independent film screenings, live music, dance performances, plays and more.

  • Center Gallery Monthly Exhibitions.
  • Artist Studios for Photographers, Painters, Sculptors, Musicians and Actors.
  • Salt Lake Capoeira, Brazilian Martial Arts and Cultural Organization.
  • SLC Photo Club, the UAA’s free group for photographers.
  • Rubaiyat Dance Company
  • Mothermoon Expressive Therapy
  • Musicgarage.org The UAA’s music performance program for youth and adults.
  • Salsa Dancing Classes.
  • Slam Poetry Events.
  • Incendiary Circus, Fire Dancing Group, with free lessons bi-weekly.
  • Modern Dance and Movement classes for adults and kids.
  • The Center Stage, hosts productions from community and touring theater groups

Utah Arts Alliance
SLC Arts Hub
663 West 100 South
Salt Lake City, Utah

Highland Dancing

Highland | Scottish | Celtic | Irish

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Dance Schools

Scariff School of Irish Dance  9854 S 700 E, Sandy

Dance Companies

Musicians

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The term Highland dance or Highland dancing is used today to refer to a style of athletic solo dancing which developed in the Gaelic Highlands of Scotland. Highland dance evolved into its current form during the nineteenth and twentieth centuries in the context of competitions at public events (namely Highland games), where it is often performed to the accompaniment of Highland bagpipe music. Highland dancers wear specialized shoes called ghillies.

Highland dance has been subject to many influences from outside the Highlands. For example, it has been heavily influenced by the urban aesthetics of the patrons and judges of dance competitions since the nineteenth century. All text is available under the terms of the GNU Free Documentation License – Wikipedia